THE WESTERLIES

Over the past fifteen years, The Westerlies have served as high emissaries of a genre-agnostic musical language that upends presumptions of the brass tradition. The group's acclaimed work in contemporary classical, jazz, and the modern American songbook, along with indie-folk collaborations with Fleet Foxes, Aoife O’Donovan, and Haley Heynderickx, has cemented The Westerlies among the most adventurous and versatile instrumental groups working today.

From Carnegie Hall to Coachella, The Westerlies navigate a wide array of venues and projects with the precision of a string quartet, the audacity of a rock band, and the charm of a family sing-along. Formed in 2011, the self-described “accidental brass quartet” takes its name from the prevailing winds that travel from the West to the East. “Skilled interpreters who are also adept improvisers” (NPR’s Fresh Air), The Westerlies explore jazz, roots, and chamber music influences to create the rarest of hybrids: music that is both "folk-like and composerly, lovely and intellectually rigorous” (NPR Music).


The ensemble has produced three critically acclaimed albums of genre-defying chamber music: its 2014 debut, Wish the Children Would Come On Home: The Music of Wayne Horvitz (Songlines), a 2016 double-CD of primarily original compositions, The Westerlies (Songlines), and their recent 2020 release, Wherein Lies the Good (Westerlies Records). Sought-after collaborators, The Westerlies are also featured on recordings by Fleet Foxes (Nonesuch), Vieux Farka Touré (Six Degrees Records), Common (Lakeshore) and Dave Douglas (Greenleaf).

For more information visit The Westerlies’ website, facebook, instagram, twitter, or youtube.